Don’t Fear the REAPER

For most recording of vocals and instruments (i.e., anything not a Caustic synthesizer) I’ve been limping along with Audacity for Windows. The most it has to recommend it is that it allows me to record and edit .wav audio and it’s free. It leaves a bit to be desired, however, in the number of signal processing effects available and that they can’t be applied in real time.
So a few days ago I installed Reaper version 5-point-something and I’ve been watching tutorial videos on teh YooToobz to learn the general layout and workflow. It looks pretty sweet, being a full-featured DAW that doesn’t cost hundreds of dollars like Ableton, Cubase, Reason, Cakewalk, or the like. $60 should be quite affordable by the time my birthday rolls around in July, and I’m sure they’ll forgive me going over the 60-day trial period a little bit in the meantime. The only way the trial version differs from the licensed version is a nag screen on startup, easily dismissed after a few seconds with a mouse click, reminding users that the program isn’t free.

I’m not going to be one of those cheesedicks that uses the trial version forever on the free – Cockos has been totally cool releasing an unlocked, ungimped program that a prospective buyer can really give the full workout before committing dollars, and they should be properly thanked for not treating paying customers like criminals.


(No Static At All)

Last Sunday, ian on the Single Cell Software forum shared a link to this site with what’s basically a “FM Synthesis for Dummies” so I figured it’s time to get schooled.

I read the introduction linked above, and then I went and watched Rej’s tutorial video for the Caustic FM synth, for the first time ever. Then I returned to and searched the tag “TAO OF FM” to find the rest of the series. As of this writing I’m about halfway through part 5, and I’ve twiddled a bit with the Caustic FM synth.

Thinking my composition “Voltron” (one of four tracks on the planned Robotron EP) will use mostly FM synths to make it more “eighties”.